Subject | • | Dramatic music |
(9)
| | • | Criticism, interpretation, etc |
(4)
| | • | Dramatic music -- England -- 16th century -- History and criticism |
(2)
| | • | England |
(2)
| | • | Opera |
(2)
| | • | Religion and drama |
(2)
| | • | Religion and drama -- History -- 16th century |
(2)
| | • | Book prices (Publishing) Great Britain 18th century |
(1)
| | • | Dramatic music -- 19th century -- History and criticism |
(1)
| | • | Dramatic music -- Europe -- 19th century -- History and criticism |
(1)
| | • | Dramatic music -- Italy -- 18th century |
(1)
| | • | Dramatic music -- Italy -- 19th century |
(1)
| | • | Enlightenment -- Italy -- Influence |
(1)
| | • | Enlightenment Influence |
(1)
| | • | Europe |
(1)
| | • | European drama |
(1)
| | • | European drama -- 19th century -- History and criticism |
(1)
| | • | Glees, catches, rounds, etc |
(1)
| | • | Incidental music |
(1)
| | • | Influence (Literary, artistic, etc.) |
(1)
| | • | Italy |
(1)
| | • | Madrigals, English |
(1)
| | • | Music in the theater |
(1)
| | • | Opera -- 19th century |
(1)
| | • | Opera -- Europe -- 19th century -- History and criticism |
(1)
| | • | Operas -- Literary themes, motives |
(1)
| | • | Operas Literary themes, motives |
(1)
| | • | Orchestral music -- Scores and parts |
(1)
| | • | Part songs, English |
(1)
| | • | Saint-Saëns, Camille, -- 1835-1921 -- Criticism and interpretation |
(1)
| | • | Saint-Saëns, Camille, 1835-1921 |
(1)
| | • | Schubert, Franz, -- 1797-1828. -- Songs |
(1)
| | • | Shakespeare, William, -- 1564-1616 -- Influence |
(1)
| | • | Shakespeare, William, 1564-1616 |
(1)
| | • | Songs 18th century |
(1)
| | • | Songs, English -- Great Britain |
(1)
| | • | Woodwind quartets (Recorders (4)), Arranged |
(1)
| | • | Woodwind quintets (Recorders (5)), Arranged |
(1)
| | • | Yale University. Graduate School. Dept. of Music Theses, dissertations, etc |
(1)
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| | 1 | Title: | Musik zu Shakespeare's Richard III, op. 73 | | | | Alt. Title: | Richard III, op. 73 | | | | Creator: | Volkmann, Robert, 1815-1883 | | | | Publication: | B. Schott's Söhne, Mainz, [1882] | | | | Notes: | For orchestra. Composed and first performed 1871. For the Overture alone, Op. 68, see callno.: 5716. | | | | Extent: | 1 score (79 p.) + parts. | | | | Subjects: | Orchestral music -- Scores and parts | Dramatic music
| | | Collection: | Newberry Library | | | | | View Full Record | |
| 4 | Title: | Apollonian harmony: a collection of scarce & celebrated glees, catches, madrigals, canzonetts, rounds, & canons, antient & modern, with some originals. / Vol. I-[VI] | | | | Creator: | Aldrich, Henry, 1648-1710 | Arne, Thomas Augustine, 1710-1778 | Atterbury, L. (Luffman), -1796 | Battishill, Jonathan, 1738-1801 | Boyce, William, 1711-1779 | Brewer, Thomas, 1611-approximately 1665 | Dibdin, Charles, 1745-1814 | Eccles, John, -1735 | Greene, Maurice, 1696-1755 | Handel, George Frideric, 1685-1759 | Harington, Henry, 1727-1816 | Hook, (James)Mr, 1746-1827 | Morley, Thomas, 1557-1603? | Nares, James, 1715-1783 | Purcell, Henry, 1659-1695 | Ravenscroft, Thomas, 1592?-1635? | Travers, J. (John), approximately 1703-1758 | Webbe, Samuel, 1740-1816 | Samuel, Ann and Peter Thompson (London, England) | | | | Publication: | Printed for S. A. & P. Thompson; No. 75 St. Paul's Church Yard, London, [between 1781 and 1790] | | | | Notes: | For 2 to 5 voices, unaccompanied. S. A. & P. Thompson (e.g. Samuel, Anne and Peter) were active from 1781 to 1790. Cf. New Grove dictionary of music & musicians. CSmH copy has "A catalogue of new music, published in the course of the present year, 1790, by Samuel, Ann, and Peter Thompson" bound at end of Vol. I. All engraved. Each vol. has a frontispiece portrait of Apollo. "Pr. 3/6" precedes imprint on title page. | | | | Extent: | 6 v. : ill., music (engravings) ; 25 cm. | | | | Subjects: | Songs, English -- Great Britain | Dramatic music | Glees, catches, rounds, etc | Part songs, English | Madrigals, English | Songs 18th century | Book prices (Publishing) Great Britain 18th century
| | | Collection: | Huntington Library | | | | | View Full Record | |
| 5 | Title: | Saint-Saëns and the stage: operas, plays, pageants, a ballet and a film | | | | Creator: | Macdonald, Hugh, 1940- | | | | Notes: | Includes bibliographical references (pages 394-404), discography (pages 405-415), and index (pages 416-432). The stage works of Saint-Saens range from grand open-air pageants to one-act comic operas, and include the first composed film score. Yet, with the exception of Samson et Dalila, his twelve operas have lain in the shadows since the composer's death in 1921. Widely performed in his lifetime, they vanished from the repertory - never played, never recorded - until now. With four twenty-first-century revivals as a backdrop, this timely book is the first study of Saint-Saens's operas, demonstrating the presence of the same breadth and versatility as in his better known works. Hugh Macdonald's wide knowledge of French music in the nineteenth century gives a powerful understanding of the different conventions and expectations that governed French opera at the time. The interaction of Saint-Saens with his contemporaries is a colourful and important part of the story. -- | | | | Extent: | xv, 432 pages : illustrations, music ; 26 cm. | | | | Subjects: | Saint-Saëns, Camille, -- 1835-1921 -- Criticism and interpretation | Saint-Saëns, Camille, 1835-1921 | Opera -- 19th century | Dramatic music -- 19th century -- History and criticism | Dramatic music | Opera | Criticism, interpretation, etc
| | | Collection: | Newberry Library | | | | | View Full Record | |
| 8 | Title: | Animation, plasticity, and music in Italy, 1770-1830 | | | | Creator: | Lockhart, Ellen | | | | Notes: | "This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music and vice versa. As Lockhart concludes, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770-1830. Animation, plasticity, and music in Italy, 1770-1830 begins with an exploration of a repertoire of Italian ballets, melodramas, and operas from around 1800, then traces and connects a set of core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism."--Provided by publisher. Includes bibliographical references (pages 195-212) and index. | | | | Extent: | xi, 218 pages : illustrations, music ; 24 cm | | | | Subjects: | Dramatic music -- Italy -- 18th century | Dramatic music -- Italy -- 19th century | Operas -- Literary themes, motives | Enlightenment -- Italy -- Influence | Dramatic music | Enlightenment Influence | Operas Literary themes, motives | Italy
| | | Collection: | Newberry Library | | | | | View Full Record | |
| 9 | Title: | Shakespeare in 19th-century opera | | | | Creator: | Borkowska-Rychlewska, Alina | | | | Notes: | The author of the book analyses selected 19th-century operas based on Shakespeare's plays from the perspective of their relations to the literature, aesthetics and philosophy of the Romantic period. The texts discussed here include Verdi's Macbeth, Otello and Falstaff, Rossini's Otello, Halévy's The Tempest, Gounod's Romeo and Juliet and Thomas's Hamlet. The study aims to indicate diverse traces of the Romantic interpretation of Shakespeare's works in the history of the 19th-century opera. Individual chapters present the librettos of the selected operas, analysed in the context of Shakespeare's plays and their 19th-century reception, reconstructed on the basis of 19th-century historic-literary texts (of, among others, A. W. Schlegel, L. Tieck and V. Hugo), critical studies and press articles. The analyses conducted in the book succeed in presenting the evolution of the phenomenon of Romantic Shakespeareanism in the 19th-century opera theatre. The author of the book analyses selected 19th-century operas based on Shakespeare?s plays from the perspective of their relations to the literature, aesthetics and philosophy of the Romantic period. The texts discussed here include Verdi?s Macbeth, Otello and Falstaff, Rossini?s Otello, Halévy?s The Tempest, Gounod?s Romeo and Juliet and Thomas?s Hamlet. The study aims to indicate diverse traces of the Romantic interpretation of Shakespeare?s works in the history of the 19th-century opera. Individual chapters present the librettos of the selected operas, analysed in the context of Shakespeare?s plays and their 19th-century reception, reconstructed on the basis of 19th-century historic-literary texts (of, among others, A. W. Schlegel, L. Tieck and V. Hugo), critical studies and press articles. The analyses conducted in the book succeed in presenting the evolution of the phenomenon of Romantic Shakespeareanism in the 19th-century opera theatre. | | | | Extent: | 307 pages ; 22 cm. | | | | Subjects: | Opera -- Europe -- 19th century -- History and criticism | Dramatic music -- Europe -- 19th century -- History and criticism | European drama -- 19th century -- History and criticism | Shakespeare, William, -- 1564-1616 -- Influence | Shakespeare, William, 1564-1616 | Dramatic music | European drama | Influence (Literary, artistic, etc.) | Opera | Europe | Criticism, interpretation, etc
| | | Collection: | University of Pennsylvania | | | | | View Full Record | |
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