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Search Results for Drama -- Technique in subject [X]
Drama Technique in subject [X]
Results: 8 Items  Page: 1
Subject
Drama -- Technique[X]
Drama Technique[X]
Criticism, interpretation, etc (3)
Shakespeare, William, 1564-1616 (3)
CHR 1919 (2)
Shakespeare, William, -- 1564-1616 -- Technique (2)
Academic dissertations Germany Jena 1887 (1)
Aristotle (1)
Aristotle -- Criticism and interpretation (1)
Biography as a literary form (1)
CHR 1931 (1)
Characters and characteristics in literature (1)
Criticism and interpretation (1)
Drama (1)
Drama -- History and criticism (1)
English drama (1)
English drama -- 17th century -- History and criticism (1)
English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism (1)
English drama Early modern and Elizabethan (1)
English language -- Early modern, 1500-1700 -- Style (1)
English language Early modern Style (1)
Fiction -- Technique (1)
Fiction Technique (1)
Germany 1887 Imprints (1)
Heinsius, Daniel, -- 1580-1655 -- Criticism and interpretation (1)
Heinsius, Daniel, 1580-1655 (1)
Language and languages (1)
Lessing, Gotthold Ephraim, -- 1729-1781 -- Criticism and interpretation (1)
Lessing, Gotthold Ephraim, 1729-1781 (1)
Macbeth (Shakespeare, William) (1)
PRO A[llier]ts, Sydney S. (autograph) (former owner) (Gotham Book Mart Collection copy 1) (1)
PRO Baker, George Pierce, 1866-1935 (autgoraph) (Gotham Book Mart Collection copy 1) (1)
PRO Galsworthy, John, 1867-1933 (autograph) (inscription) (Gotham Book Mart Collection copies 2 & 3) (1)
PRO Gotham Book Mart (former owner) (Gotham Book Mart Collection copies 1-3) (1)
PRO Gotham Book Mart (former owner) (Gotham Book Mart Collection copy) (1)
PRO Guedalla, Philip, 1889-1944 (inscription) (Gotham Book Mart Collection copy 2) (1)
Pamphlets Germany Jena 1887 (1)
Plots (Drama, novel, etc.) (1)
Romeo and Juliet (Shakespeare, William) (1)
Shakespeare, William, -- 1564-1616 -- Criticism and interpretation (1)
Shakespeare, William, -- 1564-1616 -- Dramatic production (1)
Shakespeare, William, -- 1564-1616 -- Language (1)
Shakespeare, William, -- 1564-1616. -- Romeo and Juliet (1)
Soliloquy (1)
Speech in literature (1)
Theater (1)
1Title:  Les deux cent mille situations dramatiques   
 Creator:  Souriau, Etienne, 1892-1979 | Sweetser, Marie Odile 
 Publication:  Flammarion, Paris, ©1950. 
 Notes:  Includes Index. 
 Extent:  282 pages ; 19 cm 
 Subjects:  Plots (Drama, novel, etc.) | Drama -- Technique | Drama Technique | Plots (Drama, novel, etc.)

 
Collection:  Newberry Library 
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2Title:  Shakespeare's symmetries: the mirrored structure of action in the plays   
 Creator:  Ryan, James E., 1941- | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Notes:  Includes bibliographical references and index. "The organization of Shakespeare's plays has baffled audiences and critics. While the narrative varies from play to play, thematic actions are invariably designed in mirroring pairs around the central scene: A-B-C-B-A. This symmetrical pattern is the foundation of all of Shakespeare's mature work, as shown through analysis of the 26 plays in this book"-- 
 Extent:  viii, 238 pages ; 26 cm 
 Subjects:  Shakespeare, William, -- 1564-1616 -- Technique | Shakespeare, William, 1564-1616 | Drama -- Technique | Drama Technique | Technique

 
Collection:  University of Pennsylvania 
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3Title:  Dramatic technique   
 Creator:  Baker, George Pierce, 1866-1935 | Gotham Book Mart Collection (University of Pennsylvania) | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Publication:  Houghton Mifflin Company, Boston, New York, [©1919] 
 Extent:  vi pages, 1 leaf, 531 pages 21 cm 
 Subjects:  Drama -- Technique | Drama Technique | CHR 1919 | PRO Gotham Book Mart (former owner) (Gotham Book Mart Collection copies 1 & 2) | PRO Baker, George Pierce, 1866-1935 (autgoraph) (Gotham Book Mart Collection copy 1) | PRO A[llier]ts, Sydney S. (autograph) (former owner) (Gotham Book Mart Collection copy 1)

 
Collection:  University of Pennsylvania 
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4Title:  Shakespeare in three dimensions: the dramaturgy of Macbeth and Romeo and Juliet   
 Creator:  Blacker, Robert | Horace Howard Furness Memorial Fund | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Notes:  "In Shakespearean Dramaturgy, Robert Blacker asks us to forget what we think we know about Shakespeare; his work should be rediscovered on our feet, in the rehearsal room and in performance. Staging Shakespeare today is a process of stripping away 400 years of obfuscation between us and the social and personal observations that lie at the core of his plays. While customs and theatre have changed in that time, people themselves haven't. This book explores the universal themes of power and love in Romeo and Juliet and Macbeth, mining both the texts and a lifetime of productions to share the invaluable discoveries that these experiences throw up." "Routledge Focus"--Front cover. Includes bibliographical references and index. 
 Extent:  x, 137 pages ; 23 cm 
 Subjects:  Criticism, interpretation, etc | Shakespeare, William, -- 1564-1616 -- Dramatic production | Shakespeare, William, -- 1564-1616 -- Criticism and interpretation | Shakespeare, William, -- 1564-1616. -- Romeo and Juliet | Shakespeare, William, -- 1564-1616. -- Macbeth | Shakespeare, William, 1564-1616 | Macbeth (Shakespeare, William) | Romeo and Juliet (Shakespeare, William) | Drama -- Technique | Drama Technique | Theater

 
Collection:  University of Pennsylvania 
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5Title:  Shakespeare and the soliloquy in early modern English drama   
 Creator:  Cousins, A. D., 1950- | Derrin, Daniel, 1980- | Horace Howard Furness Memorial Fund | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Notes:  "Encompassing nearly a century of drama, this is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy. Considering the antecedents of the form in Roman, late fifteenth and mid-sixteenth century drama, it analyses its diversity, its theatrical functions and its socio-political significances. Containing detailed case-studies of the plays of Marlowe, Shakespeare, Jonson, Ford, Middleton and Davenant, this collection will equip students in their own close-readings of texts, providing them with an indepth knowledge of the verbal and dramaturgical aspects of the form. Informed by rich theatrical and historical understanding, the essays reveal the larger connections between Shakespeare's use of the soliloquy and its deployment by his fellow dramatists"-- "Beginning with an account of paradigmatic precedents in Roman drama (given its prominence in early modern English education), the book then proceeds to discuss the soliloquy's roles in English plays from the later fifteenth to the mid-sixteenth centuries. After those preparatory chapters, the book moves on to study the soliloquy from Marlowe to Davenant. The chapters on playwrights trace variations in theatrical conceptualizing of the soliloquy and in its use to represent individuated characterization (or, versions of selfhood). They also trace how, as indicated by a range of soliloquies, authors revisit and rewrite one another's texts in order to suggest authorial identity (for instance, how Davenant reworks Shakespeare)"-- Includes bibliographical references and index. 
 Extent:  x, 278 pages ; 24 cm 
 Subjects:  Criticism, interpretation, etc | Shakespeare, William, -- 1564-1616 -- Technique | Shakespeare, William, -- 1564-1616 -- Language | Shakespeare, William, 1564-1616 | Soliloquy | Speech in literature | English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism | English drama -- 17th century -- History and criticism | English language -- Early modern, 1500-1700 -- Style | Drama -- Technique | Drama Technique | English drama | English drama Early modern and Elizabethan | English language Early modern Style | Language and languages | Soliloquy | Speech in literature | Technique

 
Collection:  University of Pennsylvania 
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6Title:  The principles of playmaking: and other discussions of the drama   
 Creator:  Matthews, Brander, 1852-1929 | Gotham Book Mart Collection (University of Pennsylvania) | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Publication:  C. Scribner's Sons, New York, 1919. 
 Extent:  vii, 306 pages 20 cm 
 Subjects:  Drama -- History and criticism | Drama -- Technique | Drama | Drama Technique | Criticism, interpretation, etc | CHR 1919 | PRO Gotham Book Mart (former owner) (Gotham Book Mart Collection copy)

 
Collection:  University of Pennsylvania 
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7Title:  The creation of character in literature   
 Creator:  Galsworthy, John, 1867-1933 | Gotham Book Mart Collection (University of Pennsylvania) 
 Publication:  The Clarendon Press, Oxford, 1931. 
 Notes:  "Printed in the United States of America." 
 Extent:  27 pages 19 cm 
 Subjects:  Characters and characteristics in literature | Biography as a literary form | Drama -- Technique | Fiction -- Technique | Biography as a literary form | Characters and characteristics in literature | Drama Technique | Fiction Technique | CHR 1931 | PRO Gotham Book Mart (former owner) (Gotham Book Mart Collection copies 1-3) | PRO Guedalla, Philip, 1889-1944 (inscription) (Gotham Book Mart Collection copy 2) | PRO Galsworthy, John, 1867-1933 (autograph) (inscription) (Gotham Book Mart Collection copies 2 & 3) | Biography as a literary form | Characters and characteristics in literature | Drama -- Technique | Fiction -- Technique

 
Collection:  University of Pennsylvania 
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8Title:  Ein Vorläufer Lessings in der Aristotelesinterpretation: inaugural-disssertation der philosophischen Facultät zu Jena zur Erlangung der Doktorwürde vorgelegt   
 Creator:  Zerbst, Max, 1863- | Bexley Hall | Bexley Seabury Seminary | Bexley Hall Collection (Newberry Library) 
 Notes:  In German with Latin and some Greek. Author's thesis (doctoral)--Universität Jena, 1887. Includes bibliographical references. 
 Extent:  54 pages ; 23 cm 
 Subjects:  Drama -- Technique | Aristotle -- Criticism and interpretation | Heinsius, Daniel, -- 1580-1655 -- Criticism and interpretation | Lessing, Gotthold Ephraim, -- 1729-1781 -- Criticism and interpretation | Aristotle | Heinsius, Daniel, 1580-1655 | Lessing, Gotthold Ephraim, 1729-1781 | Drama Technique | Criticism and interpretation | Pamphlets Germany Jena 1887 | Academic dissertations Germany Jena 1887 | Germany 1887 Imprints

 
Collection:  Newberry Library 
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