Subject | • | Nature in art |
(23)
| | • | Natural history illustration |
(4)
| | • | Poetry |
(3)
| | • | Artists |
(2)
| | • | Latin America |
(2)
| | • | Natural history illustration -- Latin America -- Exhibitions |
(2)
| | • | Natural history in art |
(2)
| | • | Natural history in art -- Exhibitions |
(2)
| | • | Nature in art -- Exhibitions |
(2)
| | • | Animals in art |
(1)
| | • | Art |
(1)
| | • | Art -- France -- Paris -- Exhibitions |
(1)
| | • | Art and society -- Great Britain |
(1)
| | • | Art, Abstract -- United States |
(1)
| | • | Art, European -- Themes, motives |
(1)
| | • | Art, Medieval -- Themes, motives -- Exhibitions |
(1)
| | • | Art, Medieval Themes, motives |
(1)
| | • | Arte povera |
(1)
| | • | Artistes Allemagne Biographies |
(1)
| | • | Artists -- Germany -- Biography |
(1)
| | • | Artists -- Lithuania |
(1)
| | • | Artists' books (books) United States 20th century |
(1)
| | • | Artists' books -- California -- Berkeley |
(1)
| | • | Artists' books -- California -- Santa Cruz -- Specimens |
(1)
| | • | Artists' books -- Great Britain -- Themes, motives |
(1)
| | • | Artists' books -- Specimens |
(1)
| | • | Artists' books California Berkeley 2005 |
(1)
| | • | Artists' books Florida Gainesville 2018 |
(1)
| | • | Artists' books Pennsylvania Philadelphia 2015 |
(1)
| | • | Biological illustration |
(1)
| | • | Biologie dans l'art Catalogues |
(1)
| | • | Biologistes Allemagne Biographies |
(1)
| | • | Biologists |
(1)
| | • | Biologists -- Germany -- Biography |
(1)
| | • | Biology in art |
(1)
| | • | Biology in art -- Catalogs |
(1)
| | • | Book objects Florida Gainesville 2018 |
(1)
| | • | Bookplate designers |
(1)
| | • | Bookplates (Provenanc) 1966-2003 |
(1)
| | • | Bookplates -- Exhibitions |
(1)
| | • | Bookplates -- Poland -- Malbork -- Exhibitions |
(1)
| | • | Bookplates Exhibitions |
(1)
| | • | Bookplates, American |
(1)
| | • | Bookplates, Japanese |
(1)
| | • | Bookplates, Lithuanian |
(1)
| | • | Brown, Margaret Wise, -- 1910-1952. -- Little river -- Manuscripts |
(1)
| | • | CHR 2017 |
(1)
| | • | Catalogs |
(1)
| | • | Catastrophical, The, in art |
(1)
| | • | Chine collé |
(1)
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| | 1 | Title: | Banshō shashin zufu. [Nihen] | | | | Creator: | Utagawa, Sadahide, 1807-1873 | | | | Publication: | Sonoharaya Shōsuke, Tōto, Bunkyū 4 [1864] | | | | Notes: | On double leaves, fukurotoji style. | | | | Extent: | [21] leaves : chiefly color illustrations ; 18 cm | | | | Subjects: | Nature in art
| | | Collection: | Smithsonian Institution | | | | | View Full Record | |
| 2 | Title: | Waiting | | | | Creator: | Burroughs, John, 1837-1921 | Moroz, Andrew M. | | | | Notes: | Limited edition of 10 copies, signed and numbered by the artist. "Burroughs explained his poem as 'a happy acquiescence of the order of the universe as I found it--a faith in the essential veracity of things.' He understood, at age twenty-six, 152 years ago, that nothing is unconnected on the earth--the plants, the animals, and the heavens beyond our sphere. The deleterious effects of human activity from attempts to disconnect the parts, for convenience, are just now being realized in our time--and barely accepted. I chose to decorate the poem to reflect the order of the universe as I too have happily found it, while tramping around in Burroughs' own deep woods, the Catskills of New York"--Artist's statement. "This book was hand set, printed, and bound by Andrew M. Moroz. Assistance from Nora Chase. Engravings were cut in the end-grain of maple. The book is set in Centaur type and printed on Magnani Revere Silk paper"--Colophon. The book features the poem, followed by twelve wood engravings by the artist corresponding to each half-stanza, followed by a portrait of the author. | | | | Extent: | 16 unnumbered leaves : illustrations ; 26 cm | | | | Subjects: | Nature -- Poetry | Nature in art | Artists' books | Nature | Nature in art | Woodcuts Pennsylvania Philadelphia 2015 | Artists' books Pennsylvania Philadelphia 2015 | Poetry | Typefaces (Type evidence) Centaur | Pennsylvania 2015 Imprints
| | | Collection: | Newberry Library | | | | | View Full Record | |
| 3 | Title: | Banshō zukan | | | | Creator: | Kobayashi, Bunshichi, 1862-1923 | | | | Publication: | Kobayashi Bunshichi, Tōkyō, Meiji 34 [1901] | | | | Notes: | Title from daisen (title slip) on the cover. Vol. 2 has title: Kōetsu moyō. On double leaves, in fukurotoji style. | | | | Extent: | 2 volumes ([18], [17] leaves) : illustrations ; 19.5 x 26.5 cm | | | | Subjects: | Nature in art | Design -- Japan
| | | Collection: | Smithsonian Institution | | | | | View Full Record | |
| 4 | Title: | The mollusk | | | | Creator: | Richard, Amy Koski, 1962- | Knudson, Ellen | LibraryPress@UF | Boxcar Press | | | | Notes: | Title from spine label of box. Sculptural paper "shell" with 20 page booklet (8 x 6 cm) contained inside with red letterpress printed poem "The mollusk." Edition of 20 copies, signed and numbered by artist and collaborator, Ellen Knudson. The Mollusk is the 2018 artist's book edition from the Marjorie S. Coffey Library Endowment Residency at the George A. Smathers Libraries at the University of Florida. The book was created by Amy Richard during the semester-long residency in the fall of 2018. This project is the result of research and study in the Harold and Mary Jean Hanson Rare Book Collection in the Special and Area Studies Collections Department. Inspiration was found from a range of rare and historical books about Florida malacology (the study of mollusks), nature, poetry, book arts and livres d'artiste. Consult colophon. "Produced as a variable edition, this sculptural artist's book is designed and made entirely of handmade paper by the artist. The shell serves as a "cover" and was produced using a paper lamination technique with abaca paper and hand processed kozo bark lace. The color was achieved with fiber reactive dyes and kakishibu (fermented persimmon juice). The translucent "mantel" pages were pulp printed on flax paper and the remaining pages (the "gills") are made of kozo paper."--Colophon. Letterpress printed in the UF School of Art and Art History Type Shop and produced in collaboration with Ellen Knudson, Associate in Book Arts at the University of Florida. Photo-polymer plates by Boxcar Press. The shell is housed in a clamshell box covered in sage green linen with letterpress printed spine label and color illustration on lid. "Referencing Atrina rigida, an elusive species of pen shell found in Florida's shallow coastal waters, this sculptural artist book is intended to be held and read as a celebration of nature and a humble reminder of our own fragile connection with one another."--Artist's statement printed inside box. | | | | Extent: | 1 art object, 1 volume (20 unnumbered pages) : color ; 25 x 15 cm and 8 x 6 cm, in box (28 x 16 x 4 cm) | | | | Subjects: | Mollusks -- Poetry | Nature in art | Artists' books | Paper sculpture -- Specimens | Nature in art | Mollusks | Artists' books | Florida | Poetry | Poetry | Artists' books Florida Gainesville 2018 | Book objects Florida Gainesville 2018 | Handmade papers | Letterpress works Florida Gainesville 2018 | Florida 2018 Imprints
| | | Collection: | Newberry Library | | | | | View Full Record | |
| 5 | Title: | Drawings | | | | Creator: | O'Keeffe, Georgia, 1887-1986 | Goodrich, Lloyd, 1897-1987 | Bry, Doris. | Clarke, Bert | Hugo, Harold | Leether, John F. | Clarke & Way | Meriden Gravure Company | | | | Publication: | Atlantis Editions, New York, c1968. | | | | Notes: | "An edition of two hundred and fifty copies has been published, of which two hundred and thirty are numbered and have been signed by the artist"--Colophon. The acknowledgements on p. [5] are signed by Doris Bry of Atlantis Editions. "Plates I through VII were first exhibited by Alfred Stieglitz at his gallery 291 in 1916 and 1917. Plates I and IX are reproduced full size. All other plates are 90 per cent of the original size"--P. [7]. "The ten drawings have been reproduced in 300-line screen offset lithography at the Meriden Gravure Company in Meriden, Connecticut, under the direction and supervision of Harold Hugo and John F. Leether"--Colophon. Typography by Bert Clarke; text and title signatures composed and printed at Clarke & Way, in New York. The prints are loosely inserted in white paper folders; each folder is imprinted with the title, date, and print number. Issued in a white cloth portfolio with black-lettered spine and cover titles. | | | | Extent: | 1 portfolio ([8] p., 10 leaves of plates) : chiefly ill. (1 col.) ; 70 cm. | | | | Subjects: | O'Keeffe, Georgia, -- 1887-1986 | Art, Abstract -- United States | Nature in art
| | | Collection: | Smithsonian Institution | | | | | View Full Record | |
| 6 | Title: | Naturgewalt im Bild: Strategien visueller Naturaneignung in Kunst und Wissenschaft 1750-1830 | | | | Creator: | Keller, Susanne B. | | | | Publication: | VDG, Weimar, 2006. | | | | Notes: | Includes bibliographical references and index. | | | | Extent: | 442 p. : ill. (some col.) ; 25 cm. | | | | Subjects: | Nature in art | Weather in art | Catastrophical, The, in art
| | | Collection: | University of Oklahoma | | | | | View Full Record | |
| 7 | Title: | Titian: a fresh look at nature | | | | Creator: | Mazzotta, Antonio. | National Gallery (Great Britain) | | | | Publication: | National Gallery Co, Distributed by Yale University Press, London, New Haven, Conn.], 2012. | | | | Notes: | Published in conjunction with the exhibition "Titian's first masterpiece: The Flight into Egypt," held at the National Gallery, London, Apr. 4-Aug. 19, 2012. In this short illustrated book, Mazzotta presents the experience, together with Titian's native landscape of PievediCadore, as crucial influence in the artist's early representation of nature. The recently restored "Flight into Egypt" (now in the Hermitage Museum, St. Petersburg) - probably painted when Titian was still a teenager - is a vivid proof of his interest in the depiction of animals, plants and figures in the landscape. The chosen comparisons by the author suggest that Titian was as innovative and as influential in his view of nature as he was in portraiture. Includes bibliographical references (p. 86-87). | | | | Extent: | 87 p. : col. ill. ; 21 x 21 cm. | | | | Subjects: | Titian, -- approximately 1488-1576 -- Themes, motives | Nature in art | Art, European -- Themes, motives
| | | Collection: | Yale University | | | | | View Full Record | |
| 8 | Title: | Vytautas Virkau papers | | | | Creator: | Virkau, Vytautas O., 1930- | Miksys, Zibuntas | | | | Notes: | Title devised by cataloger. Papers of bookplate artist Vytautas Virkau from approximately 1966 to approximately 2003. The bulk of materials are from 1975 to 1993. Materials consist of correspondence with other artists, international exhibition materials, ex libris examples, and periodicals relating to bookplates. Exhibition materials include medals received at the International Biennial Exhibition of Modern Exlibris held in Malbork, Poland. Materials also include a collection of bookplates by artist Zibuntas Miksys. | | | | Extent: | 2 (0.6 | | | | Subjects: | Virkau, Vytautas O., 1930- -- Correspondence | Lithuanian American artists -- Illinois -- Chicago | Bookplate designers | Artists -- Lithuania | Bookplates, American | Bookplates, Lithuanian | Bookplates, Japanese | Bookplates -- Exhibitions | Bookplates -- Poland -- Malbork -- Exhibitions | Nature in art | Lithuanian American artists | Bookplate designers | Artists | Bookplates, American | Bookplates, Lithuanian | Bookplates, Japanese | Bookplates Exhibitions | Nature in art | Poland Malbork | Lithuania | Illinois Chicago | Records and correspondence | Bookplates (Provenanc) 1966-2003 | Correspondence Illinois Chicago 1966-2003 | Medals Turkey Malbork 1975-1984 | Ephemera 1966-2003 | Printed ephemera 1966-2003
| | | Collection: | Newberry Library | | | | | View Full Record | |
| 9 | Title: | Piute Creek | | | | Creator: | Gary Snyder, 1930- | Thomas, Donna, (Donna Sue) | Thomas, Peter (Peter R.) | Killion, Tom | Peter & Donna Thomas (Firm) | | | | Notes: | Includes a companion essay to Piute creek by Tom Killion. The book is a scroll comprised of three unnumbered leaves hand-sewn together. The book is issued in a blue canvas satchel used for a slip case. One of thirty copies. "This book was made by Peter and Donna Thomas. The text is copyright 1965 by Gary Snyder ... Donna cut the illustrations. Antique wood type and Centaur were handset and letterpress printed on Peter's handmade paper. The paper was stenciled using sprayed pulp. The binding was made using ponderosa pine harvested from Whitlocks, in Mariposa, California, not too far from Piute Creek."--Colophon. Title on the front and the landscape print on the inside are hand-sewn on the cover. The illustrations are linocuts. | | | | Extent: | 1 volume (unpaged) : color illustrations ; 29 x 22 x 5 cm + | | | | Subjects: | Artists' books -- California -- Santa Cruz -- Specimens | Nature in art | Nature in literature | CHR 2017 | Artists' books | Poetry | Linocuts (prints)
| | | Collection: | University of Pennsylvania | | | | | View Full Record | |
| 10 | Title: | Banshō shashin zufu. Zen | | | | Creator: | Utagawa, Sadahide, 1807-1873 | | | | Publication: | s.n, S.l, 18--?]. | | | | Notes: | Title from title piece on cover. On double leaves, oriental style (fukurotoji). | | | | Extent: | 1 v. (unpaged; on double leaves) : ill. (col.) ; 19 cm. | | | | Subjects: | Ukiyoe | Wood-engraving, Japanese | Color prints, Japanese -- Edo period, 1600-1868 | Painting, Japanese -- Edo period, 1600-1868 | Nature in art
| | | Collection: | University of Pennsylvania | | | | | View Full Record | |
| 11 | Title: | Of green leaf, bird, and flower: artists' books and the natural world | | | | Creator: | Fairman, Elisabeth R. | Peck, Robert McCracken, 1952- | Duggins, Molly | Burnett, David | Clark, Laurie | Bonnell, Mandy | Bush, Tracey | Hyslop, Jane | Sweeney, Patrick | Pragnell, Dizzy | Barringer, T. J. | King, Ronald, 1932- | Bryan, Clare, 1966- | Ford, Lisa, 1974- | Dilnot, John | Sackett, Colin | Postle, Martin | Hogan, Eileen, 1946- | Salter, Rebecca, 1955- | Phillpot, Clive | Welcome, Sarah | Yale Center for British Art | | | | Notes: | "Highlighting an enduring interest in natural history from the 16th century to the present, this gorgeous book explores depictions of the natural world, from centuries-old manuscripts to contemporary artists' books. It examines the scientific pursuits in the 18th and 19th centuries that resulted in the collecting and cataloguing of the natural world. It also investigates the aesthetically oriented activities of self-taught naturalists in the 19th century, who gathered flowers, ferns, seaweed, feathers, and other naturalia into albums. Examples of 20th- and 21st-century artists' books, including those of Eileen Hogan, Mandy Bonnell, and Tracey Bush, broaden the vision of the natural world to incorporate its interaction with consumer culture and with modern technologies. Featuring dazzling illustrations, the book itself is designed to evoke a fieldwork notebook, and features a collection pocket and ribbon markers. "-- Issued in connection with an exhibition held May 15, 2014-August 10, 2014, Yale Center for British Art, New Haven, Connecticut. Includes bibliographical references and index. | | | | Extent: | 247 pages : illustrations ; 27 cm | | | | Subjects: | Nature in art | Natural history illustration -- Great Britain | Artists' books -- Great Britain -- Themes, motives | Art and society -- Great Britain | Science -- Social aspects -- Great Britain
| | | Collection: | Yale University | | | | | View Full Record | |
| 12 | Title: | Visions of nature: the art and science of Ernst Haeckel | | | | Creator: | Breidbach, Olaf | | | | Publication: | Prestel, Munich, Germany, New York, N.Y, 2006. | | | | Notes: | Includes bibliographical references (p. 294-297) and index. | | | | Extent: | 299 p. : ill. (chiefly col.) ; 35 cm. | | | | Subjects: | Haeckel, Ernst, -- 1834-1919 -- Criticism and interpretation | Haeckel, Ernst, -- 1834-1919 -- Influence | Natural history illustration | Biological illustration | Nature in art
| | | Collection: | Linda Hall Library | | | | | View Full Record | |
| 13 | Title: | Plinitude | | | | Creator: | Van Nice, M. L., 1945- | Plinythe Elder | Washington Project for the Arts (D.C.) | Science and the Artist's Book (Exhibition) | | | | Notes: | Artist's book, constructed from seeds, bones, insect wings, feathers, wood, leather, paper, and acrylic. Housed in a linen-covered box. Created for the "Science and the Artist's Book" exhibition, co-sponsored by the Smithsonian Institution Libraries and the Washington Project for the Arts, May 1995-May 1996. | | | | Extent: | 1 book object : all illustrations ; 73 x 59 x 19 cm | | | | Subjects: | Van Nice, M. L., -- 1945- | Artists' books -- Specimens | Nature in art | Artists' books (books) United States 20th century | Smithsonian Libraries artists' books
| | | Collection: | Smithsonian Institution | | | | | View Full Record | |
| 16 | Title: | Art and nature in the Middle Ages | | | | Alt. Title: | Art et nature au moyen âge. English | | | | Creator: | Musée de Cluny | Myers, Nicole R. | Pastoureau, Michel, 1947- | Taburet, Elisabeth | Zink, Michel | Dallas Museum of Art | | | | Notes: | "Published in conjunction with the exhibition Art and Nature in the Middle Ages, organized by the Dallas Museum of Art, in cooperation with the Musée de Cluny in Paris, and presented in Dallas from December 4, 2016, to March 19, 2017." "The essays "Art and Nature in the Middle Ages" by Elisabeth Taburet-Delahaye, "Nature in the Medieval World" by Michel Zink, and "The Place of Animals in Medieval History" by Michel Pastoureau have been translated from Art et Nature au Moyen Age (co-published in 2013 by the Musée national des beaux-arts du Quebec, Musée de Cluny - Musée national du Moyen Âge, and Réunion des musées nationaux-Grand Palais) and reprinted with permission." Includes bibliographical references. | | | | Extent: | 134 pages : illustrations ; 27 cm | | | | Subjects: | Nature in art -- Exhibitions | Art, Medieval -- Themes, motives -- Exhibitions | Art -- France -- Paris -- Exhibitions | Musée de Cluny -- Exhibitions | Musée de Cluny | Art | Art, Medieval Themes, motives | Nature in art | France Paris | Exhibition catalogs
| | | Collection: | Yale University | | | | | View Full Record | |
| 18 | Title: | The little river | | | | Creator: | Brown, Margaret Wise, 1910-1952 | Rockefeller, Liv, 1957- | Rockefeller, Liv, 1957- | Kuch, Michael, 1965- | Shure, Ken | MacGregor, Katie. | Larson, Arthur(Printer) | Creighton, Sarah | Two Ponds Press | Horton Tank Graphics | | | | Publication: | Two Ponds Press, Rockport, Maine], 2013. | | | | Notes: | Issued, in an edtion of 60, in a solander box with two companion booklets, one containing essays by the artist and Liv Rockefeller, the other a facsimile of the author's holograph draft of the work, on 22 cards (16 x 11 cm). "Margaret Wise Brown composed The Little River in 1950. This edition of sixty copies, issued by Two Ponds Press ... marks its first illustrated publication. Michael Kuch created the etchings and paste-paper images, printed the copperplates and designed the book with oversight from Liv Rockefeller and Ken Shure. Dale Guild Type Foundry cast the 18 point Parsons, Will Ransom's only metal typeface. Russell Maret created the fleuron and title lettering, based upon a Ransom design. The ancillary text is Eric Gill's Joanna. The letterpress was undertaken on a Vandercook Universal IV by Art Larson at Horton Tank Graphics in Hadley, Massachsetts. The white and various hued papers were made by hand for the project by Katie MacGregor of Whiting, Maine. The books were bound by Sarah Creighton at her studio in Easthampton, Massachusetts"--Colophon. Rare Book copy: No. 26; pencil drawing of a frog by the artist on leaf facing colophon. | | | | Extent: | 26 unnumbered leaves : colored illustrations ; 24 x 31 cm + | | | | Subjects: | Brown, Margaret Wise, -- 1910-1952. -- Little river -- Manuscripts | Artists' books | Nature prints | Paste papers | Chine collé | Nature stories | Nature in art | Etching, American -- 21st century | Etchings 2013 Color
| | | Collection: | Columbia University | | | | | View Full Record | |
| 19 | Title: | Visual voyages: images of Latin American nature from Columbus to Darwin | | | | Creator: | Bleichmar, Daniela, 1973- | Henry E. Huntington Library and Art Gallery | Yale University Press | Getty Foundation | | | | Notes: | Published on the occasion of an exhibition held at the Huntington Library, Art Gallery, and Botanical Gardens September 16, 2017-January 8, 2018. "Published witht the assistance of the Getty Foundation." Includes bibliographgical references (pages 207-218) and index. "From the voyages of Christopher Columbus to those of Alexander von Humboldt and Charles Darwin, the depiction of the natural world played a central role in shaping how people on both sides of the Atlantic understood and imaged the region we now know as Latin America. Nature provided incentives for exploration, commodities for trade, specimens for scientific investigation, and manifestations of divine forces. It also yielded a rich trove of representations, created both by natives to the region and visitors, which are the subject of this lushly illustrated book. Author Daniela Bleichmar shows that these images were not only works of art but also instruments for the production of knowledge, with scientific, social, and political repercussions. Early depictions of Latin American nature introduced European audiences to native medicines and religious practices. By the 17th century, revelatory accounts of tobacco, chocolate, and cochineal reshaped science, trade, and empire around the globe. In the 18th and 19th centuries, collections and scientific expeditions produced both patriotic and imperial visions of Latin America."--Book jacket. | | | | Extent: | xiii, 226 pages : illustrations ; 29 cm | | | | Subjects: | Natural history illustration -- Latin America -- Exhibitions | Natural history in art -- Exhibitions | Nature in art -- Exhibitions | Natural history illustration | Natural history in art | Latin America | Exhibition catalogs | Nature in art
| | | Collection: | Yale University | | | | | View Full Record | |
| 20 | Title: | The ladies amusement, or, Whole art of japanning made easy | | | | Creator: | Pillement, Jean, 1728-1808 | Sayer, Robert, 1725-1794 | Benoist, A. (Antoine), 1721-1770 | De la Cour, William, -1767 | Fenn, C. | O'Neal, Jeffrey Hamet, 1734-1801 | Rösel von Rosenhof, August Johann, 1705-1759 | Walker, Anthony, 1726-1765 | Benazech, Peter, 1730?-1798 | Couse, J. | Elliot, William, 1727-1766 | Hancock, Robert, 1730-1817 | Hemerich, C. H. | June, John | Roberts, Henry, approximately 1710-approximately 1790 | Bowles, John, 1701-1779 | Bowles, Thomas, -1767 | John Bowles & Son | | | | Publication: | Printed for Robert Sayer, map and printseller, at the Golden-Buck, opposite Fetter-Lane, Fleet-Street, London, [1760] | | | | Notes: | Probable date of publication from Gordon-Smith. Illustrators (in addition to Pillement) include Antoine Benoist, C. Fenn, P. Glazer, J.H. O'Neale, Roesel, and A. Walker; engravers include P. Benazech, J. Couse, W. Elliott, Hemerich, R. Hancock, J. June, and H. Roberts, among others. Plates 19-24 are also numbered 1 through 6. Plate 83 has engraved, illustrated title: A collection of curious insects (London : Printed for Robt. Sayer ..., [1760]); plates 84-95 feature images of insects, and may constitute a group of plates that could be issued separately. | | | | Extent: | 6 pages, 122 leaves of plates : chiefly color illustrations ; 22 x 35 cm | | | | Subjects: | Japanning -- Early works to 1800 | Decoration and ornament, Rococo | Decoration and ornament -- Oriental influences | Decorative arts, Rococo | Chinoiserie (Art) -- Pictorial works | Nature in art | Workshop recipes | Pattern books
| | | Collection: | Smithsonian Institution | | | | | View Full Record | |
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