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Shakespeare, William, -- 1564-1616 -- Technique in subject [X]
Results: 14 Items  Page: 1
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1Title:  Shakespeare's art of orchestration: stage technique and audience response   
 Creator:  Howard, Jean E. (Jean Elizabeth), 1948- | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Publication:  University of Illinois Press, Urbana, c1984. 
 Notes:  Includes bibliographies and index. 
 Extent:  x, 212 p. ; 23 cm. 
 Subjects:  Shakespeare, William, -- 1564-1616 -- Technique | Shakespeare, William, -- 1564-1616 -- Dramatic production

 
Collection:  University of Pennsylvania 
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2Title:  Shakespeare's art of orchestration: stage technique and audience response   
 Creator:  Howard, Jean E. (Jean Elizabeth), 1948- 
 Publication:  University of Illinois Press, Urbana, c1984. 
 Notes:  Includes bibliographies and index. 
 Extent:  x, 212 p. ; 24 cm. 
 Subjects:  Shakespeare, William, -- 1564-1616 -- Technique | Shakespeare, William, -- 1564-1616 -- Dramatic production

 
Collection:  Newberry Library 
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3Title:  Bühnenanweisung und Dramaturgie: Hinweise zu Interpretation und Inszenierung in Shakespeares First Folio und den Quartoversionen   
 Creator:  Munkelt, Margarete. | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Publication:  B.R. Grüner, Amsterdam, 1981. 
 Notes:  English summary: p. [345]-346. Includes index. Bibliography: p. [296]-316. 
 Extent:  346 p. ; 23 cm. 
 Subjects:  Shakespeare, William, -- 1564-1616 -- Technique | Shakespeare, William, -- 1564-1616 -- Dramatic production | Stage directions

 
Collection:  University of Pennsylvania 
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4Title:  Shakespeare, the director   
 Creator:  Slater, Ann. | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Publication:  Harvester Press, Barnes & Noble Books, Brighton (Sussex), Totowa, N.J, 1982. 
 Notes:  Includes index. Bibliography : p. [231]-238. 
 Extent:  x, 244 p. : ill. ; 22 cm. 
 Subjects:  Shakespeare, William, -- 1564-1616 -- Technique | Shakespeare, William, -- 1564-1616 -- Dramatic production | Theater -- Production and direction

 
Collection:  University of Pennsylvania 
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5Title:  Action is eloquence: Shakespeare's language of gesture   
 Creator:  Bevington, David M. | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Publication:  Harvard University Press, Cambridge, Mass, 1984. 
 Notes:  Includes bibliographical references and index. 
 Extent:  ix, 227 p. ; 24 cm. 
 Subjects:  Shakespeare, William, -- 1564-1616 -- Technique | Shakespeare, William, -- 1564-1616 -- Dramatic production | Gesture in literature

 
Collection:  University of Pennsylvania 
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6Title:  Shakespeare's theatrical notation: the early tragedies   
 Creator:  Stamm, Rudolf, 1909- 
 Publication:  Francke, Bern, c1989. 
 Notes:  Includes bibliographical references. 
 Extent:  152 p. ; 24 cm. 
 Subjects:  Shakespeare, William, -- 1564-1616 -- Technique | Shakespeare, William, -- 1564-1616 -- Dramatic production | Shakespeare, William, -- 1564-1616 -- Tragedies

 
Collection:  Newberry Library 
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7Title:  The practical Shakespeare: the plays in practice and on the page   
 Creator:  Butler, Colin. | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Publication:  Ohio University Press, Athens, c2005. 
 Notes:  Includes bibliographical references (p. [183]-196) and index. 
 Extent:  viii, 205 p. : ill. ; 23 cm. 
 Subjects:  Shakespeare, William, -- 1564-1616 -- Technique | Shakespeare, William, -- 1564-1616 -- Dramatic production | Theater -- Production and direction | Drama -- Technique

 
Collection:  University of Pennsylvania 
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8Title:  How to enjoy Shakespeare   
 Creator:  Fallon, Robert Thomas. | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Publication:  Ivan R. Dee, Chicago, 2005. 
 Notes:  Includes indexes. 
 Extent:  xi, 114 p. ; 23 cm. 
 Subjects:  Shakespeare, William, -- 1564-1616 -- Technique | Shakespeare, William, -- 1564-1616 -- Appreciation | Shakespeare, William, -- 1564-1616 -- Dramatic production | Theater audiences

 
Collection:  University of Pennsylvania 
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9Title:  Shakespeare's speaking properties   
 Creator:  Teague, Frances N. | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Publication:  Bucknell University Press, Associated University Presses, Lewisburg, London, Cranbury, NJ, c1991. 
 Notes:  Includes bibliographical references (p. [209]-214) and index. 
 Extent:  222 p. ; 24 cm. 
 Subjects:  Shakespeare, William, -- 1564-1616 -- Dramatic production | Shakespeare, William, -- 1564-1616 -- Technique | Theaters -- Stage-setting and scenery | Stage props

 
Collection:  University of Pennsylvania 
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10Title:  The Shakespeare wars: clashing scholars, public fiascoes, palace coups   
 Creator:  Rosenbaum, Ron. | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Publication:  Random House, New York, c2006. 
 Notes:  Includes bibliographical references (p. [553]-568) and index. Cultural historian Rosenbaum gives readers a way of rethinking the greatest works of the human imagination, as he shakes up much that we thought we understood about a vital subject and renews our sense of excitement and urgency. Rather than raking over worn-out fragments of biography, Rosenbaum focuses on cutting-edge controversies about the true source of Shakespeare's enchantment and illumination--the astonishing language itself. He takes readers into the midst of fierce battles among the most brilliant Shakespearean scholars and directors over just how to delve deeper into the mind of Shakespeare. He makes ostensibly arcane textual scholarship seductive, and he shows us great directors as Shakespearean scholars in their own right. This book offers a thrilling opportunity to engage with Shakespeare's work at its deepest levels.--From publisher description. 
 Extent:  xvii, 601 p. ; 25 cm. 
 Subjects:  Shakespeare, William, -- 1564-1616 -- Criticism and interpretation -- History -- 20th century | Shakespeare, William, -- 1564-1616 -- Appreciation | Shakespeare, William, -- 1564-1616 -- Technique | Shakespeare, William, -- 1564-1616 -- Dramatic production

 
Collection:  University of Pennsylvania 
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11Title:  Shakespeare and the power of performance: stage and page in the Elizabethan theatre   
 Creator:  Weimann, Robert. | Bruster, Douglas. | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Publication:  Cambridge University Press, Cambridge, UK, New York, 2008. 
 Notes:  Includes bibliographical references (p. 224-255) and index. 
 Extent:  x, 266 p. ; 24 cm. 
 Subjects:  Shakespeare, William, -- 1564-1616 -- Technique | Shakespeare, William, -- 1564-1616 -- Dramatic production | Shakespeare, William, -- 1564-1616 -- Characters | English drama -- 17th century -- History and criticism

 
Collection:  University of Pennsylvania 
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12Title:  Action is eloquence: Shakespeare's language of gesture   
 Creator:  Bevington, David M. 
 Publication:  Harvard University Press, Cambridge, Mass, 1984. 
 Notes:  Includes bibliographical references and index. 
 Extent:  ix, 227 p. ; 24 cm. 
 Subjects:  Shakespeare, William, -- 1564-1616 -- Technique | Shakespeare, William, -- 1564-1616 -- Dramatic production | Gesture in literature | Theaters -- Stage-setting and scenery

 
Collection:  Newberry Library 
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13Title:  Shakespearean entrances   
 Creator:  Ichikawa, Mariko. | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Publication:  Palgrave Macmillan, New York, 2002. 
 Notes:  Includes bibliographical references (p. 180-192) and index. 
 Extent:  xi, 198 p. : ill. ; 23 cm. 
 Subjects:  Shakespeare, William, -- 1564-1616 -- Technique | Openings (Rhetoric) | Shakespeare, William, -- 1564-1616 -- Dramatic production | Drama -- Technique | Closure (Rhetoric) | Stage directions

 
Collection:  University of Pennsylvania 
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14Title:  Shakespeare's possible worlds   
 Creator:  Palfrey, Simon | Horace Howard Furness Memorial Library (University of Pennsylvania) 
 Notes:  "New methods are needed to do justice to Shakespeare. His work exceeds conventional models, past or present, for understanding playworlds. In this book, Simon Palfrey goes right to the heart of early modern popular drama, recovering both how it works and why it matters. Unlike his contemporaries, Shakespeare gives independent life to all of his instruments, and to every fraction and fragment of the plays. Palfrey terms these particles "formactions" - theatre-specific forms that move with their own action and passion. Palfrey's book is critically daring both in substance and format. It unique mix of imaginative gusto, thought-experiments, and virtuosic technique generates piercing close readings of the plays. There is far more to playlife than meets the eye. Influenced by Leibniz's visionary original model of possible worlds, this book opens up the multiple worlds of Shakespeare's language, scenes and characters as never before"-- Includes bibliographical references and index. 
 Extent:  xii, 382 pages ; 24 cm 
 Subjects:  Shakespeare, William, -- 1564-1616 -- Technique | Shakespeare, William, -- 1564-1616 -- Dramatic production | English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism -- Theory, etc | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh

 
Collection:  University of Pennsylvania 
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