Plants in Africa and the Global South: Multi-Species Materialities, Ecologies, and Aesthetics (MMEA)

This working  group brings together researchers, artists and practitioners interested in plants in Africa and the Global South to discuss methodological questions concerning plant research in the humanities and social sciences on and beyond the African continent. Mmea is the Kiswahili word for "plant." What methods are promising for studying plant epistemologies in Africa? What methods are suitable for working across disciplines, such as the  natural sciences and the humanities and social sciences, but also with disciplines outside of the academy, including Indigenous knowledge systems? What are the methodological specificities of doing plant research in the Global South? Which methods are useful for research practices that are attentive to the practices of plant practitioners and research that is committed to social justice and climate justice? What methodological innovations come out of plant research concerning interdisciplinary and transdisciplinary approaches, as well as approaches that incorporate artistic research? What specific forms for documenting, presenting and communicating plant research evolve in these activities? The working group is concerned with plants in diverse contexts and disciplines, including but not limited to Indigenous knowledge systems, botany and plant sciences, food, medicine, horticulture, plant collecting institutions like herbaria and botanical gardens, literature, and the arts.

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Consortium Respectful Behavior Policy

Participants at Consortium activities will treat each other with respect and consideration to create a collegial, inclusive, and professional environment that is free from any form of discrimination, harassment, or retaliation.

Participants will avoid any inappropriate actions or statements based on individual characteristics such as age, race, religion, ethnicity, sexual orientation, gender identity, gender expression, marital status, nationality, political affiliation, ability status, educational background, or any other characteristic protected by law. Disruptive or harassing behavior of any kind will not be tolerated. Harassment includes but is not limited to inappropriate or intimidating behavior and language, unwelcome jokes or comments, unwanted touching or attention, offensive images, photography without permission, and stalking.

Participants may send reports or concerns about violations of this policy to

Upcoming Meetings

  • Thursday, September 12, 2024 10:00 am to 11:30 am EDT

    Guillermo Pupo Pernet (University of Arkansas): Achiote: Painting the Town Red

Past Meetings

  • July 11, 2024

    Maxmillian J Chuhila (University of Dar es Salaam): Green Imperialism and Biomedical Campaigns in Colonial Tanganyika

  • June 13, 2024

    Tamara Caulkins (Central Washington University): The Power of Place: Naturalist Michel Adanson (1727-1806) au plein air in Senegal and in Greenhouses in France
    (POSTPONED TO THE NEXT ACADEMIC YEAR: Sahar Bazzaz (College of the Holy Cross): Plants of the Red Sea Littoral: PE Botta's Expedition to Yemen, 1836 as well as a presentation by Neda Saeedi)

  • April 11, 2024

    Chanelle Adams (University of Lausanne): Volatile Oils: 'Wellness', Political Power, and the Market for Ravintsara Essential Oil in Madagascar

  • March 14, 2024

    Taiye Fasola (University of Ibadan): The Relevance of Ethnobotany for a Modern Society

  • February 8, 2024

    Semih Celik (University of Exeter): 'A Museum in the Cradle of Civilization': The Imperial Natural History Museum in Istanbul and its Aftermath (1836-1870)

  • January 11, 2024

    Sumana Roy (Ashoka University): The Quest for the Plant Script

  • December 14, 2023

    Elena Agudio (Villa Romana) and Marleen Boschen (Goldsmiths, University of London / Tate): Testing Grounds / Seeding Worlds: Intersections of Art and Ecology in the Garden of Villa Romana, Florence

  • November 9, 2023

    James Wachira (University of Nairobi): NarRating Plants in Kenyan Verbal Arts

  • October 12, 2023

    Ali Gholamifard (Lorestan University): Flagship Species of Lizards and Plants of Iran: A Measure for Indicating Biodiversity

  • September 14, 2023

    Maura Flannery (St. John's University, NY / A.C. Moore Herbarium, University of South Carolina, Columbia): Plants That Aren't There: The Paucity of the Botanical Record for Many Parts of Africa

Group Conveners

  • JacquesAymeric's picture

    Jacques Aymeric-Nsangou

    Jacques Aymeric-Nsangou studied at the University of Yaoundé I (Cameroon) where he got his B.A and M.A in Archaeology and Cultural Heritage Management, and the University of Geneva (Switzerland), where he got his Ph.D. in Archaeology in 2019. He is a specialist in African endogenous fortifications, the history of settlement, and the post-1500 period in West Africa. He is the author of Les fortifications endogènes au Sénégal Oriental, freely available at He took part in archaeological rescue excavations during the construction of the Lom Pangar dam in eastern Cameroon and served as a Cultural Guide at the National Museum of Cameroon. As a postdoctoral fellow, he did a research stay at the Deutsches Historisches Institut in Rom and Villa I Tatti Harvard University Center of Florence (IT). Since September 2022, he has been a Swiss National Science Foundation Associate postdoctoral researcher at the University of Manitoba. His work aims to document the Islamisation of Northern Ghana influenced by the Gonja chiefdom through studying the ceramic change. Since 2022, he has undertaken pioneering archaeological research in São Tomé and Principe, and is continuing parallel research on some settlement sites in Eastern Senegal and Cameroon. He is the founder and principal moderator of the linkedIn West African Archaeology and Anthropology Group He is also assistant editor of the Journal of African Archaeology; and is the Africa coordinator of the Newsletter of the Society of Historical Archaeology. His research has been support by the Swiss Confederation, the Swiss Academy of Social Sciences, the Swiss National Sciences Foundation, Brown University and the University of Manitoba.


  • Abidemi.Babatunde's picture

    Abidemi Babatunde Babalola

    Abidemi Babatunde Babalola is Smuts Research Fellow in African Studies at the University of Cambridge and an expert in cultural heritage, West African archaeology, early glass production, innovation practices, early technologies, early urbanism and complex societies with a particular focus on Ile-Ife, Nigeria. He received his BA and MA in archaeology from the University of Ibadan in Nigeria and holds a PhD in Anthropology from Rice University, Houston, with a specialization in African Archaeology. He was the McMillian Steward Fellow at the Hutchins Center for African and African & American Research and a Postdoctoral Fellow at the Department of Anthropology Harvard University and his research has furthermore been supported by the University College London in Qatar (UCLQ), the Corning Museum, and the Archaeology and Heritage Centre of the Cyprus Institute, among other institutions. His research includes human-environment interaction in terms of the exploitation of vegetation/plant resources for fuel in pyrotechnological activities, and his research on the archaeology of glass in Sub-Saharan African received the Discovery Award of Shanghai Archaeological Forum in 2019.


  • vera-simone.schulz's picture

    Vera-Simone Schulz

    Vera-Simone Schulz is an art historian working at the crossroads of African, Islamic and European art histories and postdoctoral research associate at the Kunsthistorisches Institut in Florenz–Max-Planck-Institut in Florence, Italy. She holds a Ph.D. in art history from Humboldt-Universität zu Berlin and her research has been supported by the German Academic Scholarship Foundation, the German Research Foundation, the German Academic Exchange Service, the Gerda Henkel Foundation, and the Bard Graduate Center in New York City, among others. While her first book on Florence and Tuscany in their Mediterranean and global entanglements (in preparation for publication) already went beyond the common geographical frameworks of art historical studies concerned with Italy and the Islamic world by bringing also material from Nigeria, Ghana, Angola, Kongo and coastal East Africa into this discussion, her habilitation and second book project moves from Florence as one of the traditional centers of art history to Eastern Africa, thus contributing to the overcoming of traditional notions of periphery and center in the discipline of art history. She was the 2022 CIRN Sanpaolo Visiting Fellow at CRASSH at the University of Cambridge where she was also a postdoctoral fellow at Wolfson College, and she is currently a MuseumsLab fellow and visiting fellow at the Oxford Centre for Islamic Studies.


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