Plants in Africa and the Global South: Multi-Species Materialities, Ecologies, and Aesthetics (MMEA)
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October 14, 2021
Jonathan Robins (Michigan Technological University): Misreading Africa’s Oil Palm Landscapes: Colonial Legacies in Agriculture, Ecology, and Agroforestry
Abidemi Babatunde Babalola
Abidemi Babatunde Babalola is Smuts Research Fellow in African Studies at the University of Cambridge and an expert in cultural heritage, West African archaeology, early glass production, innovation practices, early technologies, early urbanism and complex societies with a particular focus on Ile-Ife, Nigeria. He received his BA and MA in archaeology from the University of Ibadan in Nigeria and holds a PhD in Anthropology from Rice University, Houston, with a specialization in African Archaeology. He was the McMillian Steward Fellow at the Hutchins Center for African and African & American Research and a Postdoctoral Fellow at the Department of Anthropology Harvard University and his research has furthermore been supported by the University College London in Qatar (UCLQ), the Corning Museum, and the Archaeology and Heritage Centre of the Cyprus Institute, among other institutions. His research includes human-environment interaction in terms of the exploitation of vegetation/plant resources for fuel in pyrotechnological activities, and his research on the archaeology of glass in Sub-Saharan African received the Discovery Award of Shanghai Archaeological Forum in 2019.
Vera-Simone Schulz is an art historian working at the crossroads of African, Islamic and European art histories and postdoctoral research associate at the Kunsthistorisches Institut in Florenz–Max-Planck-Institut in Florence, Italy. She holds a Ph.D. in art history from Humboldt-Universität zu Berlin and her research has been supported by the German Academic Scholarship Foundation, the German Research Foundation, the German Academic Exchange Service, the Gerda Henkel Foundation, and the Bard Graduate Center in New York City, among others. While her first book on Florence and Tuscany in their Mediterranean and global entanglements (in preparation for publication) already went beyond the common geographical frameworks of art historical studies concerned with Italy and the Islamic world by bringing also material from Nigeria, Ghana, Angola, Kongo and coastal East Africa into this discussion, her habilitation and second book project moves from Florence as one of the traditional centers of art history to Eastern Africa, thus contributing to the overcoming of traditional notions of periphery and center in the discipline of art history. She was the 2022 CIRN Sanpaolo Visiting Fellow at CRASSH at the University of Cambridge where she was also a postdoctoral fellow at Wolfson College, and she is currently a MuseumsLab fellow and visiting fellow at the Oxford Centre for Islamic Studies.