Sound and Technology

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Consortium Respectful Behavior Policy

Participants at Consortium activities will treat each other with respect and consideration to create a collegial, inclusive, and professional environment that is free from any form of discrimination, harassment, or retaliation.

Participants will avoid any inappropriate actions or statements based on individual characteristics such as age, race, religion, ethnicity, sexual orientation, gender identity, gender expression, marital status, nationality, political affiliation, ability status, educational background, or any other characteristic protected by law. Disruptive or harassing behavior of any kind will not be tolerated. Harassment includes but is not limited to inappropriate or intimidating behavior and language, unwelcome jokes or comments, unwanted touching or attention, offensive images, photography without permission, and stalking.

Participants may send reports or concerns about violations of this policy to conduct@chstm.org.

Upcoming Meetings

There are no currently scheduled upcoming events.

Past Meetings

  • February 11, 2022

    Guest: Dr. Alexandra Hui (Mississippi State University, Department of History)
    Reading: Making Muzak Natural: The sounds of life, death, and the lyrebird in the built
    environment, 1930–1970
    Guest sessions are moderated.
    We'll briefly introduce the visitor, begin with opening remarks on the reading, then discuss participants' questions as well as topics of interest to the visitor as appropriate.
    All are welcome!
  • January 14, 2022

    No Meeting.
  • December 10, 2021

    *Note Special Time*
    Guest Visit: Dr. Viktoria Tkaczyk (Humboldt University)
    Readings:
    "How to turn interior monologues inside out: epistemologies, methods, and research tools in the long twentieth century" (sound studies, 2020)
    &
    "Disciplining Auditory Cognition" - Introduction to Thinking with Sound: A New Program in the Sciences and  Humanities around 1900 (Dr. Tkaczyk's current book project)
    Guest sessions are moderated.
    We'll briefly introduce the visitor, begin with introductory remarks on the reading, then discuss participants' questions as well as topics of interest to the visitor as appropriate.
    All are welcome!
  • November 12, 2021

    Guest: Dr. David Suisman (History, University of Delaware)
    Reading:
    G.I.s’ (Real) Soundtrack: A New History of Music in the U.S. War in Vietnam
    Although all questions are welcome, please refer to David's opening comments regarding what he's hoping to get feedback on specifically. Don't hesitate to reach out to the conveners ahead of time if you have any questions!
    We'll introduce Dr. Suisman briefly and let them introduce the text and context before moving on to discussion.
    Looking forward to having you!
    content note: some of the materials in this draft contain graphic descriptions of wartime violence and behavior.
  • September 10, 2021

    Guest Visit: Dr. Deirdre Loughridge (Northeastern University, Personal Website)
    Reading: Loughridge, “Automaton Encounters: Vaucanson’s Flute-Player, Graffigny’s Letters & The Pleasure before Anxiety” (work-in-progress)

    Guest sessions are moderated.
    We'll briefly introduce the visitor, begin with introductory remarks on the reading, then discuss participants' questions as well as topics of interest to the visitor as appropriate. If you have trouble viewing the readings after you have downloaded them, please email the convenors.
    All are welcome!

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Group Conveners

  • eamonnbell's picture

    Eamonn Bell

    Eamonn Bell is Assistant Professor at the Department of Computer Science, Durham University. Most generally, his research examines the history of digital technology in relation to contemporary musical production, consumption, criticism, and analysis. He holds a doctoral degree in music theory from Columbia University (2019) and a bachelor’s degree in music and mathematics from TCD (2013).

     
  • brian.miller's picture

    Brian Miller

    Brian A. Miller is a lecturer in the Program in Computing for the Arts and Sciences at the University of Michigan. He completed a Ph.D. in music theory at Yale University in 2020, where he has also served as a lecturer. His research focuses on the role of computation in both the intellectual history and current practice of music theory, particularly in relation to the work of music theorist Leonard Meyer and his influential theory of musical style. He has also published on the computer modeling of jazz improvisation and and on Adorno's conception of musical style.

     
  • Magnus's picture

    Magnus Schaefer

    Magnus Schaefer is a Ph.D. candidate in the Department of Art History and Communication Studies at McGill University. Magnus works on the early history of digital signal processing in oil prospecting and communications engineering. Magnus holds an M.A. in Art History from Humboldt University, Berlin.

     

     

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