Catarina Madruga (Museum für Naturkunde Berlin), Archival collections and specimens from German “Kamerun" in the Museum für Naturkunde Berlin
Museums are not simple recipients, but rather authoritative managers of collections which contributed to enlarge both their catalogues as their position in society. Furthermore, they are implicated institutions which actively contributed to, and gained from, the development of racist and violent political agenda, particularly when it comes to items collected in the Global South and kept in the Global North. Natural history museums, through the accumulation of specimens extracted, pulled, hunted, and mined from the natural world, indeed function as sites of entanglement and disruption across species, continents, societies, landscapes, and bodies.
In this talk, I will discuss the methodologies, research instruments, and challenges from the experience of producing the document "Cameroon in Berlin" which holds some of the results of my research on the project "Colonial Provenances of Nature" (2020-2024). This work provides context to the collection policies, management practices, and political landscapes that constituted the colonial collections of the mammal department of the MfN. Collections and practices of collecting of the past are mirrored in the associated data contained in the historical administration archives and in manuscript inventories and catalogues. The many "hidden hands" of those who hunted, killed, packed, sold, transported, administered, evaluated, paid, wrote, mounted, photographed, measured, and assisted in translating these discrete specimens into systematic "knowledge about nature" are actually captured in the materiality of the specimens, their conventions, and their labels, accompanying receipts, reports, and inventories. In this talk I will also add to current reflections on how digital metadata and digital "global biodiversity" platforms mediate access and contribute (or not) to transparency.