Sonia Wigh (University of Cambridge)
The Lone Pregnant Body: Illustrating Feminine Forms in Manṣūr’s Anatomy
The Tašrīḥ-i Manṣūrī [Manṣūr’s Anatomy] is the first known medical text in the Persianate world containing full-body anatomical images. It was composed in 1386 CE by Manṣūr bin Muḥammad bin Ilyās Shīrāzī of Shiraz (Iran). A standard copy of Manṣūr’s Anatomy contained six illustrations of a skeleton, nerves, muscles, veins and arteries, digestive tract and other vital organs, and a female form with gravid uterus. This paper tracks the visual evolution of the female form in various manuscript copies of the Tašrīḥ, culminating in its lithographic print in Delhi in the 1840’s. By highlighting key moments of transformations, I demonstrate that while there were limited changes in the five illustrations of human (male) anatomy, there was a stark difference in the way the female form was perceived in the manuscript version, from schematic drawings to full-figured female bodies with geographical, nationalistic markings in eighteenth-century India and Qajari Iran.
Initially, the six full-length anatomical drawings in the Tašrīḥ-i Manṣūrī consist of schematic outline of the human body in a squatting position, with their hand on their knees. Some even argue that the sixth image (purportedly added by Ibn Ilyās himself) was actually a gravid uterus superimposed on the pre-existing illustration of the arterial networks. Over the course of two centuries, from feminine markers like hair, the sixth image assumed a more naturalistic, aesthetic human female bodily form. Although one cannot assume a transposition of identical knowledge-making practices across time and space, this paper attempts to follow the evolution in visual language of one image and map onto changing consumption patterns caused by socio-cultural and economic transformations over a course of two centuries in India and Iran.