Divya Kumar-Dumas (University of Maryland)
Metal, Matter, and Meaning: Toward a Textual and Scientific History of the Sumhuram Yakṣī
A bronze female figurine excavated from Sumhuram (modern Oman) and now held at the Smithsonian (NMAA S2013.2.378) has long been recognized as an Indian yakṣī, brought to South Arabia via Indian Ocean trade in the early centuries CE. In previous work, I examined its iconography and fragmentary condition as evidence of image mobility and reuse. This working paper marks a new phase of inquiry: pairing planned scientific analysis and experimental archaeology with early textual references to metalwork.
From the Caraka Saṃhitā’s description of casting techniques to the Agni Purāṇa’s ritual guidelines for disposing worn icons, to Vasubandhu’s Buddhist meditations on molten metal as a seething mass of sentience, I ask how Sanskrit textual ontologies of matter might inform—and be informed by—the scientific study of composition and form. At stake is a more integrated understanding of portable bronze images, moving beyond trade and iconography, toward a cross-disciplinary history of science, perception, and the sacred.
I invite CHSTM participants to help frame this evolving methodology, especially through suggestions of sources on smelting, melting, making, breaking, or discarding metal objects in the first millennium.