Reading seminar with Evelyn Welch (University of Bristol): ‘Whose Hair is it Anyway?: Beauty, Health and Shaven Heads in Early Modern Europe’.
We will discuss Chapter 5 of her book Renaissance Skin (Manchester University Press, 2025).
This group provides a transdisciplinary forum for scholars engaged with the cultural histories of beautification and bodily care in the premodern global world. We approach beauty practices as historically situated techniques and materials applied to the body to maintain, enhance or restore appearance. They encompass not only cosmetic treatments and grooming routines but also forms of tacit knowledge related to health, hygiene, status and identity. While the historiography of science and medicine has increasingly recognized domestic and artisanal knowledge, beauty practices remain strikingly under-explored within these frameworks. We reposition beauty not as a superficial concern but as an historically significant domain of knowledge making using the analytic tools of a variety of disciplinary backgrounds.
We welcome researchers from across disciplines to engage in a 90-minute online discussion that can focus on a precirculated piece of writing (book chapter, article, book proposal), an oral paper presented by its author followed by a response from another scholar, or a panel of scholars that address a relevant topic from different angles. The goal of the working group is to debate and collaborate to advance beauty studies as a recognized field of historical inquiry.
Consortium Respectful Behavior Policy
Participants at Consortium activities will treat each other with respect and consideration to create a collegial, inclusive, and professional environment that is free from any form of discrimination, harassment, or retaliation.
Participants will avoid any inappropriate actions or statements based on individual characteristics such as age, race, religion, ethnicity, sexual orientation, gender identity, gender expression, marital status, nationality, political affiliation, ability status, educational background, or any other characteristic protected by law. Disruptive or harassing behavior of any kind will not be tolerated. Harassment includes but is not limited to inappropriate or intimidating behavior and language, unwelcome jokes or comments, unwanted touching or attention, offensive images, photography without permission, and stalking.
Participants may send reports or concerns about violations of this policy to conduct@chstm.org.
Upcoming Meetings
Monday, October 13, 2025, 8:00 - 9:30 am EDT
Monday, November 10, 2025, 8:00 - 9:30 am EST
Seminar with Katharina Seidl (Kunsthistorisches Museum Vienna / Ambras Castle, Innsbruck) on the "The Art of Beauty exhibition" at Ambras Castle, Innsbruck (June-October 2025)
Monday, December 8, 2025, 8:00 - 9:30 am EST
Reading seminar with Erin Griffey (University of Auckland) on her book Facing Decay: Beauty, Aging and Cosmetics in Early Modern Europe (Penn State University Press, 2025)
Monday, January 12, 2026, 8:00 - 9:30 am EST
Seminar with Laurence Totelin (Cardiff University): Recreating ancient cosmetics: joys, pitfalls and engagement opportunities
Monday, February 9, 2026, 8:00 - 9:30 am EST
Current research: Seminar on Bathing Women in Late Medieval Illuminated Manuscripts with Sabrina Jocher (University of Salzburg)
Monday, March 9, 2026, 8:00 - 9:30 am EDT
Seminar with Victoria Munn (University of Auckland) on Early Modern Hair Dye Recipes
Monday, April 13, 2026, 8:00 - 9:30 am EDT
Seminar on Beautifying Practices in Arabic Medieval Medical Compendia with Anna Gili (University of Padua): Medical Beauty Prescriptions. A reading of al-Rāzī's Kitāb al-Manṣūrī and al-Maǧūsī's Kitāb al-Malakī
Monday, May 11, 2026, 8:00 - 9:30 am EDT
Seminar on The Authorities of Cosmetic Knowledge with Montserrat Cabré (University of Cantabria) and Mónica Durán (University of Granada)
Past Meetings
Group Conveners
Montserrat Cabré
Montserrat Cabré is Professor of the History of Science at the University of Cantabria, Spain. She has published extensively on diverse aspects of medieval and early modern Western European culture, especially in relation to the history of the body and medieval women’s medical practices. In addition, one of her research lines has been the history of women’s thinking, particularly around authors who participated in the querelle des femmes. She is currently the PI of the team research project Women's Beauty Cultures from Trota of Salerno to Marie Meurdrac, funded by the Spanish Research Agency (AEI), and is working on a book project on women's beauty and healthcare in the late medieval Crown of Aragon.
Erin Griffey
Erin Griffey is an Associate Professor of Art History at the University of Auckland and a Fellow of the Society of Antiquaries in London. She has longstanding research interests in early modern European women. This research is cross-cultural and interdisciplinary and focuses on aspects of self-fashioning, adornment and display. She has published widely on Queen Henrietta Maria and the Stuart court, including the monograph On Display: Henrietta Maria and the Materials of Magnificence at the Stuart Court (Yale University Press, 2016). Other publications have focused on aspects of dress, jewellery and beauty. Her current research crosses the humanities, social sciences and the history of science and medicine to engage in textual, visual, object-based and reconstructive analysis of early modern beauty culture. Her book, entitled Facing Decay: Beauty, Aging and Cosmetics in Early Modern Europe, is coming out in November 2025 with Penn State University Press.
Romana Sammern
Art historian Romana Sammern researches and teaches at the intersection of the body, image, and medicine in the early modern period. She holds a PhD in art history from Humboldt University of Berlin. In 2024, she completed her habilitation in art history and visual studies at the University of Passau. Her research has been supported, among others, by fellowships from the Austrian Science Fund (FWF), the Fritz Thyssen Foundation, the International Research Center for Cultural Studies (IFK) in Vienna, the J. Paul Getty Trust, the Kunsthistorisches Institut in Florenz – Max-Planck-Institut, the Paul Mellon Centre for Studies in British Art in London, and the Zentrum für Literatur- und Kulturforschung in Berlin.
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